❧ Eric Portelance

In keeping with a somewhat regular tradition, I’m documenting here my favourite albums of 2011. If you haven’t listened to these, you would be doing yourself a favour to check some of them out.

1. M83 — Hurry Up, We’re Dreaming
2. Girls — Father, Son Holy Ghost
3. The Strokes — Angles
4. Bon Iver — Bon Iver
5. Real Estate — Days
6. The Kills — Blood Pressures
7. Handsome Furs — Sound Kapital
8. Holy Ghost! — Holy Ghost!
9. My Morning Jacket — Circuital
10. Stephen Malkmus & The Jicks — Mirror Traffic

✳ music ✳ 2011 ✳ best of ✳ albums 

Is there something in human nature that makes us consider time in blocks, rather than as a continuum? So often when looking back at history, we talk about months, decades, centuries, events, and pretend that they were events isolated in a bubble. That, for instance, the 80s just started and stopped one day. I don’t buy it.

A few weeks ago, a friend and I were discussing how, in his opinion, music today was totally derivative. Nobody is experimenting. Our current decade pales in comparison to the 80s, when there was some real world-changing stuff happening musically. This strikes me as a form of nostalgia for a decade that many hold in a certain high esteem, but that’s beside the point.¹

In reality, 1981 was a lot like 1979. Popular music in 1991 wasn’t radically different from the music in 1988. Every piece of art is built upon the path that has been carved out by its predecessors. Particularly with mainstream music where things don’t often surface that truly rock the boat.

Even The Beatles, likely one of the most influential bands of all time, were incredibly derivative in the early days. The influence of Chuck Berry, Carl Perkins, Buddy Holly, and others is clear. Later, beginning with Rubber Soul, you can start to hear Bob Dylan influences. They were listening to their contemporaries and building upon it. Taking it to the next level.

Long-time Beatles producer George Martin was quite clear on the influence that The Beach Boys had on them:

Without Pet Sounds, Sgt. Pepper wouldn’t have happened. Pepper was an attempt to equal Pet Sounds.

I’ve used music as an example to illustrate this, but the same can be said about culture in general or historical events. The Beatles didn’t come out of left field, just like the 80s wasn’t a homogeneous decade that flipped to something else in 1990. To argue otherwise does a disservice to the creative spirit and remix culture.

✳ history ✳ music ✳ opinion ✳ time ✳ decade